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The concrete subject of the exhibition was the duality and unity of the Jewish and Christian religion and culture, but in 1985 it was impossible to use such unequivocal terms publicly. Csutak has adjusted the structure of the environments to the Gallerys space. The most important change compared to the 1985 configuration is that one of the rooms in acb Gallery has no windows, therefore the windows with the cross motifs that had become emblematic are now missing.
In addition to the cultural tasks of preservation, presentation and commemoration, the title of the exhibition comprises a new, personal motif, the most adequate subject of private reminiscence: the Walzer.